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Pacini, Marina. Marisol Sculptures and Works on Paper. New Haven, CT: Yale University Press, 2014.

Padgett, Ron. «Poets and Painters in Paris, 1919–1939». ArtNews Annual XXXVIII.

Panofsky, Erwin. Meaning in the Visual Arts. London: Penguin Books, 1993.

Parker, Rozsika, and Griselda Pollock. Old Mistresses: Women, Art and Ideology. London: Pandora, an imprint of HarperCollins Publishers, 1981.

Parrish, Michael E. Anxious Decades: America In Prosperity and Depression, 1920–1941. New York: W. W. Norton & Company, 1994.

Parry, Albert. Garrets and Pretenders: A History of Bohemianism in America. New York: Dover Publications, 1960.

Passlof, Pat. «The Ninth Street Show». New York Artists Equity Association 55th Annual Journal, December 18, 2002.

Passlof, Pat. «Willem de Kooning on his Eighty-Fifth Birthday, ‘1948.’» Art Journal 48, no. 3 (Autumn 1989).

Pavia, Philip. «The Hess Problem and Its Seven Panels at The Club». It Is, 5 (Spring 1960).

Peppiatt, Michael. «Hans Namuth; Artists Portraits». Art International, Spring 1989.

Perl, Jed. New Art City: Manhattan at Mid-Century. New York: Vintage Books, 2007.

Perloff, Marjorie. Frank O’Hara: Poet among Painters. Austin: University of Texas Press, 1979.

Pettet, Simon. Conversations with Rudy Burckhardt about Everything. New York: Vehicle Editions, 1987.

«Philip Pavia Talks on the War Years and the Start of The Club, Wartime 1940–1945». New York Artists Equity Association 5th Anniversary Journal, December 18, 2002.

«Pictorial Essay: 19 Young American Artists, Under 36». Life 28, no. 12 (March 20, 1950).

Poirier, Maurice. «Helen Frankenthaler: Working Papers». ArtNews 84, no. 6 (Summer 1985).

Polcari, Stephen. Abstract Expressionism and the Modern Experience. Cambridge: Cambridge University Press, 1994.

Polcari, Stephen. From Omaha to Abstract Expressionism: Americans Respond to World War II, curated by Stephen Polcari. New York: Sidney Mishkin Gallery, Baruch College, November 10 to December 14, 1995.

Polcari, Stephen. Lee Krasner and Abstract Expressionism. Stony Brook: State University of New York at Stony Brook, Fine Arts Gallery, 1988.

Polcari, Stephen. «Martha Graham and Abstract Expressionism». Smithsonian Studies in American Art 4, no. 1 (Winter 1990).

Polenberg, Richard. War and Society: The United States, 1941–1945. Philadelphia: J. B. Lippincott Company, 1972.

Polsky, Ned. «The Village Beat Scene: Summer 1960». Dissent 8, no 3 (Summer 1961).

Porter, Fairfield. «John Graham: Painter as Aristocrat». ArtNews 59, no. 6 (October 1960).

Porter, Fairfield. «Reviews and Previews, Elaine de Kooning». ArtNews 53, no. 2 (April 1954).

Potter, Jeffrey. «To a Violent Grave: An Oral Biography of Jackson Pollock». Wainscott, NY: Pushcart Press, 1987.

Poydinecz-Conley, Donna. Unpublished interview with Helen Frankenthaler, June 14, 1978.

Preston, Stuart. «By Husband and Wife; A Group Show by Teams— Three Modernists». New York Times, September 25, 1949.

Preston, Stuart. «Diverse Showings, Realism and Surrealism — ‘Collectors’ Finds’». New York Times, February 8, 1953.

Prioleau, Betsy. Seductress: Women Who Ravished the World and Their Lost Art of Love. New York: Viking, 2003.

Rago, Louise Elliott. «We Visit with Grace Hartigan». School Arts: The Art Education Magazine 59, no. 9 (May 1960).

Randall, Margaret. Ecstasy Is a Number: Poems. Phoenix, AZ: Orion Press, 1961.

Randall, Margaret. My Town: A Memoir of Albuquerque, New Mexico in Poems, Prose, and Photographs. San Antonio, TX: Wings Press, 2010.

«The ‘Rawness,’ the Vast». Newsweek, May 11, 1959.

Read, Herbert. The Politics of the Unpolitical. London: Routledge, 1945.

«Red Visitors Cause Rumpus: Dupes and Fellow Travelers Dress Up Communist Fronts». Life 26, no. 14 (April 4, 1949).

Reinhardt, Ad. «Twelve Rules for a New Academy». ArtNews 56, no. 3 (May 1957).

Rembert, Virginia Pitts. «Mondrian, America, and American Painting». PhD dissertation, Columbia University, 1970. «Remembering Joan». Evergreen Review 104 (January 2001).

Rich, Adrienne Cecile. A Change of World. New Haven, CT: Yale University Press, 1951.

Rich, Daniel Cotton. «Freedom of the Brush». Atlantic Monthly 181 (February 1948).

Richard, Paul. «Much Ado about Frankenthaler». Washington Post, April 19, 1975.

Richler, Mordecai, ed. Writers on World War II: An Anthology. New York: Alfred A. Knopf, 1991.

Riesman, David, with Nathan Glazer and Reuel Denney. The Lonely Crowd: A Study of the Changing American Character. New Haven, CT: Yale University Press, 1978.

Riley, Charles II. The Saints of Modern Art: The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy. Hanover, NH: University Press of New England, 1998.

Riley, Glenda. Inventing the American Woman: A Perspective on Women’s History. Arlington Heights, IL: Harlan Davidson, Inc., 1986.

Rivers, Larry. «Larry Rivers on The Club». The New Criterion Special Issue, no. 49 (1986).

Rivers, Larry, and Arnold Weinstein. What Did I Do? The Unauthorized Autobiography. New York: Aaron Asher Books, HarperCollins Publishers, 1992.

Rivers, Larry, with Carol Brightman. «The Cedar Bar», New York 12, no. 43 (November 5, 1979).

Robertson, Brian. Lee Krasner, Paintings, Drawings and Collages. London: Whitechapel Gallery, September — October 1965.

Robson, Deirdre. «The Avant-Garde and the On-Guard: Some Influences on the Potential Market for the First Generation Abstract Expressionists in the 1940s and Early 1950s». Art Journal 47, no. 3 (Autumn 1988).

Robson, Deirdre. «The Market for Abstract Expressionism: The Time Lag between Critical and Commercial Acceptance». Archives of American Art Journal 25, no. 3 (1985).

Rockwell, John. «Virgil Thomson, Composer, Critic and Collaborator with Stein, Dies at 92». New York Times, October 1, 1989.

Rose, Barbara. «American Great: Lee Krasner». Vogue (June 1972).

Rose, Barbara. «First-Rate Art by the Second Sex». New York 7, no. 14 (April 8, 1974).