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Mead, Margaret. Male and Female: A Study of the Sexes in a Changing World. New York: Penguin Books, 1981.

Mead, Margaret. «Night After Night». trans/formation 1, no. 2 (1951).

«A Memorial Service for John Bernard Myers». The Grey Art Gallery, New York, Thursday, October 15, 1987.

Merleau-Ponty, Maurice. «Cezanne’s Doubt». Partisan Review 13, no. 4 (September — October 1946).

Milazzo, Richard. «Caravaggio on the Beach». Evergreen Review 101 (Winter 1998).

Milazzo, Richard. Photos of Joan Mitchell by Barney Rosset. New York: Danziger Gallery, October 23–November 28, 1998.

Michaud, Yves. Joan Mitchell: La Grande Vallée. Paris: Galerie Jean Fournier, 1984.

Millard, Charles W. Friedel Dzubas. Washington, DC: Smithsonian Institution and Hirshhorn Museum, 1983.

Miller, Dorothy C., ed. Fourteen Americans. New York: Museum of Modern Art, 1946.

Miller, Dorothy C., ed. Sixteen Americans. New York: Museum of Modern Art, 1959.

Miller, Dorothy C., ed. Twelve Americans. New York: Museum of Modern Art, 1956.

Miller, Lynn F., and Sally S. Swenson. Lives and Works: Talks with Women Artists. Metuchen, NJ: The Scarecrow Press, Inc., 1981.

Miller, Douglas T., and Marion Nowak. The Fifties: The Way We Really Were. Garden City, NY: Doubleday & Company, Inc., 1977.

Miller, Terry. Greenwich Village and How It Got That Way. New York: Crown Publishers, 1990.

Millet, Kate. Sexual Politics. London: Virago Press Ltd, 1983.

Mills, C. Wright. «The Powerless People: The Role of the Intellectual in Society». Politics 1, no. 3 (April 1944).

Mitchell, Joan. «Autumn». Poetry Magazine, 1935.

Mitchell, Juliet. Psychoanalysis and Feminism. New York: Pantheon Books, 1974.

Monroe, Gerald M. «Artists as Militant Trade Union Workers during the Great Depression». Archives of American Art Journal 14, no. 1 (1974).

Monroe, Gerald M. «The Artists Union of New York». PhD dissertation, New York University, 1971.

Morris, Frances, ed. Paris Post War: Art and Existentialism, 1945–1955. London: Tate Gallery, 1993.

Morrow, Bradford. «Not Even Past: Hybrid Histories». Conjunctions 53 (2009).

Motherwell, Robert. «Beyond the Aesthetic». Design 47, no. 8 (April 1, 1946).

Motherwell, Robert. «The Modern Painter’s World». DYN 1 (November 1944).

Motherwell, Robert. «Two Famous Painters’ Collection». Vogue (January 15, 1964).

Moutet, Anne-Elisabeth. «An American in Paris». Elle 11, no. 6 (February 1988).

Munro, Eleanor. «The Found Generation». ArtNews 60, no. 7 (November 1961).

Munro, Eleanor. Originals: American Women Artists. New York: A Touchstone Book, Simon & Schuster, Inc., 1982. «My First Exhibition… to Now, Elaine de Kooning». Art/World Museums International News Gallery Guide 7, no. 1.

Myers, John Bernard. Tracking the Marvelous: A Life in the New York Art World. New York: Random House, 1983.

Myers, John Bernard, ed. The Poets of the New York School. Philadelphia: University of Pennsylvania Graduate School of Fine Arts, 1969.

Naifeh, Steven, and Gregory White Smith. Jackson Pollock: An American Saga. New York: Clarkson N. Potter, Inc., 1989.

Nelson, Maggie. Women, The New York School, and Other True Abstractions. Iowa City: University of Iowa Press, 2007.

Nemser, Cindy. «An Afternoon with Joan Mitchell». The Feminist Art Journal 3, no. 1 (1974).

Nemser, Cindy. Art Talk: Conversations with 12 Women Artists. New York: Charles Scribner’s Sons, 1975.

Nemser, Cindy. «Art Talk Forum: Women in Art». Arts Magazine 45, no. 33 (February 1971).

Nemser, Cindy. «A Conversation with Lee Krasner». Arts Magazine 47, no. 6 (April 1973).

Nemser, Cindy. «A Conversation with Marisol». The Feminist Art Journal 2, no. 3 (Fall 1973).

Nemser, Cindy. «Grace Hartigan: Abstract Artist, Concrete Woman». Ms., March 1975.

Netter, D. Terence. Homage to Lee Krasner. New York: The Metropolitan Museum of Art, September 17, 1984.

The New American Painting, A Show in Eight European Countries, 1958–1959. New York: The Museum of Modern Art, distributed by Doubleday & Co., Inc., 1959.

Ninth Street: Nine Artists from the Ninth Street Show. New York: David Findlay Jr. Fine Art, June 9–20, 2006.

NO! Boris Lurie, David David Gallery, Philadelphia, November 14–December 12, 2012.

Novak, Josephine. «Tracking the Marvelous Grace Hartigan». Baltimore Evening Sun, n.d. [ca. 1983].

O’Brian, John, ed. Affirmations and Refusals, 1950–1956. Vol. 3 of Clement Greenberg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1995.

O’Brian, John, ed. Arrogant Purpose, 1945–1949. Vol. 2 of Clement Greenerg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1986.

O’Brian, John, ed. Perceptions and Judgments, 1939–1944. Vol. 1 of Clement Greenberg: The Collected Essays and Criticism. Chicago: The University of Chicago Press, 1988.

O’Brien, Elaine Owens. «The Art Criticism of Harold Rosenberg: Theaters of Love and Combat». PhD dissertation, City University of New York, 1997.

O’Connor, Francis V. Jackson Pollock. New York: The Museum of Modern Art, 1967.

O’Hara, Frank. Art Chronicles, 1954–1966. New York: George Braziller, 1975.

O’Hara, Frank. «Franz Kline Talking». Evergreen Review 2, no. 6 (Autumn 1958).

O’Hara, Frank. Jackson Pollock. New York: George Braziller, Inc., 1959.

O’Hara, Frank. «Porter Paints a Picture». ArtNews 53, no. 9 (January 1955).

O’Hara, Frank. «Reviews and Previews, George Hartigan». ArtNews 52, no. 10 (February 1954).

O’Hara, Frank. «Riopelle: International Speedscapes». ArtNews 62, no. 2 (April 1963).

O’Hara, Frank. Robert Motherwell, with Selections from the Artist’s Writings. New York: The Museum of Modern Art, 1965.

Ortman, George. New York Artists Equity Association 55th Anniversary Journal. New York: December 18, 2002.

Ostrow, Saul. «Michael Goldberg». Bomb 75 (Spring 2001).