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Rose, Barbara. Frankenthaler. New York: Harry N. Abrams, Inc., 1972.

Rose, Barbara. «Jackson Pollock at Work». Partisan Review 47, no. 1 (Winter 1980).

Rose, Barbara. Krasner/Pollock: A Working Relationship. East Hampton, NY: Guild Hall Museum, August 8–October 4, 1981.

Rose, Barbara. «The Landscape of Light, Joan Mitchell». Vogue (June 1974).

Rose, Barbara. Lee Krasner: A Retrospective. New York: The Museum of Modern Art, 1983.

Rose, Barbara. «Life on the Project». Partisan Review 52, no. 2 (Spring 1985).

Rose, Barbara, edited by Alexis Gregory. American Painting: The Twentieth Century. Lausanne: SKIRA, 1969.

Rose, Phyllis, ed. The Norton Book of Women’s Lives. New York: W. W. Norton and Company, 1993.

Rosen, Marjorie. Popcorn Venus: Women, Movies and the American Dream. New York: Avon Books, 1974.

Rosenberg, Eric M., Lisa Saltzman, and Timothy McElreavy. Friedel Dzubas: Critical Painting. Medford, MA: Tufts University Gallery, 1998.

Rosenberg, Harold. «Action Painting: A Decade of Distortion». ArtNews 61, no. 8 (December 1962).

Rosenberg, Harold. «After Next, What?» Art In America 2 (1964).

Rosenberg, Harold. «The American Action Painters». ArtNews 51, no. 8 (December 1952).

Rosenberg, Harold. The Anxious Object. Chicago: The University of Chicago Press, 1966.

Rosenberg, Harold. «The Art Establishment». Esquire (January 1965).

Rosenberg, Harold. Art on the Edge: Creators and Situations. New York: Macmillan Publishing Co., Inc.,1971.

Rosenberg, Harold. «The Fall of Paris». Partisan Review 6, no. 7 (November — December 1940).

Rosenberg, Harold. «Introduction to Modern American Painters». Possibilities 1 (Winter 1947–48).

Rosenberg, Harold. «Parable for American Painters». ArtNews 52, no. 9 (January 1954).

Rosenberg, Harold. «The Teaching of Hans Hofmann». Arts Magazine 45, no. 3 (December 1970–January 1971).

Rosenberg, Harold. «Tenth Street: A Geography of Modern Art». ArtNews Annual 28 (1959).

Rosenberg, Harold. The Tradition of the New. New York: Da Capo Press, 1994.

Rosenzweig, Phyllis D. The Fifties, Aspects of Painting in New York: Hirshhorn Museum and Sculpture Garden. Washington, DC: Smithsonian Institution Press, 1980.

Ross, Clifford. Abstract Expressionism: Creators and Critics, an Anthology. New York: Harry N. Abrams, Inc., 1990.

Rosset, Barney. «The Subject Is Left Handed», manuscript, courtesy Astrid Myers Rosset.

Rotskoff, Lori. Love on the Rocks: Men, Women, and Alcohol in Post — World War II America. Chapel Hill: University of North Carolina, 2002.

Rowley, Alison. Helen Frankenthaler: Painting History, Writing Painting. London: I. B. Tauris, 2007.

Rubenfeld, Florence. Clement Greenberg: A Life. Minneapolis: University of Minnesota Press, 2004.

Rubin, William. «The New York School, Part II». Art International 2, nos. 2–3 (Summer 1958).

Ruddick, Sara, and Pamela Daniels, eds. Working It Out: 23 Women Writers, Artists, Scientists, and Scholars Talk about Their Lives and Work. London: Pantheon Books, 1997.

Russell, John. «Thomas Hess, Art Expert, Dies: Writer and Met Official Was 57». New York Times, July 14, 1978.

Sadoff, Ira. «Frank O’Hara’s Intimate Fictions». American Poetry Review 35, no. 6 (November — December 2006).

Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation. New York: Hudson Hills, 2009.

Sandler, Irving. The Cedar Bar. New York: Washburn Gallery, January 2009.

Sandler, Irving. The Club, How the Artists of the New York School Found Their First Audience —

Themselves. ArtForum 4, no. 1 (September 1965).

Themselves. ArtForum 4, no. «Mitchell Paints a Picture». ArtNews 56, no. 6 (October 1957).

Themselves. ArtForum 4, no. A Sweeper Up After Artists: A Memoir. London: Thames and Hudson, 2003.

Savram, David. Taking It Like a Man: White Masculinity, Masochism and Contemporary American Culture. Princeton, NJ: Princeton University Press, 1998.

Sawin, Martica. Nell Blaine: Her Life and Art. New York: Hudson Hills Press, 1998.

Sawyer, Kenneth B. «The Artist as Collector: Alfonso Ossorio». Studio International 169, no. 863 (March 1965).

Sawyer, Kenneth B. «The Importance of a Wall: Galleries». Evergreen Review 2, no. 8 (Spring 1959).

Schapiro, Meyer. «The Liberating Quality of Avant-Garde Art». ArtNews 56, no. 4 (Summer 1956).

Schapiro, Meyer. Modern Art in the 19th and 20th Centuries: Selected Papers. 1958. Reprint. New York: George Braziller, 1979.

Scharf, Lois. To Work and to Wed: Female Employment, Feminism, and the Great Depression. Westport, CT: Greenwood Press, 1980.

Schjeldahl, Peter. «Tough Love». The New Yorker (July 15, 2002).

Schloss, Edith, «The Castelli Saga». Unpublished manuscript, MS no. 1763, Subseries VC, Box 16, Edith Schloss Burckhardt Papers, Columbia University Library.

Schloss, Edith, «The Castelli Saga». Unpublished manuscript, MS no. «The Loft Generation: Intimate Memories of Vanished Art Worlds in New York and Rome». Manuscript, MS no. 1763, Subseries VC, Box 15, Edith Schloss Burckhardt Papers, Columbia University Library.

Schulze, Franz. «Thomas Hess, 1920–1978». ArtNews 77, no. 6 (September 1978).

Schuyler, James. «Frank O’Hara: Poet Among Painters». ArtNews 73, no. 5 (May 1974).

Schuyler, James. «Is There an American Print Revival?» ArtNews 60, no. 9 (January 1962).

Scrivani, George, ed. Collected Writings of Willem de Kooning. New York: Hanuman Books, 1988.

Seiberling, Dorothy. «Jackson Pollock: Is He the Greatest Living Painter in the United States?» Life 27, no. 6 (August 8, 1949).

Seiberling, Dorothy. «Women Artists in Ascendance: Young Group Reflects Lively Virtues of U.S. Painting». Life 42, no. 19 (May 13, 1957).

Seitz, William. Abstract Expressionist Painting in America. Cambridge, MA: Harvard University Press, 1983.

Seitz, William. «The Rise and Dissolution of the Avant-Garde». Vogue (September 1, 1963).