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Lippincott L. Selling Art in Georgian London: The Rise of Arthur Pond. New Haven: Yale University Press, 1983.
Mattick P. Art in its Time: Theories and Practices of Modern Aesthetics. London: Routledge, 2003.
McClellan A. Edme Gersaint and the Marketing of Art in Eighteenth-Century Paris // Art Bulletin. September 1996.
Pears I. The Discovery of Painting: The Growth of Interest in the Arts in England, 1680-1768. New Haven: Yale University Press, 1988.
SmentekK. Mariette and the Science of the Connoisseur in Eighteenth-Century Europe. Farnham: Ashgate Publishing, 2014.
Solkin D. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven: Yale University Press, 1993.
Stourton J., Sebag-Montefiore C. The British as Art Collectors from the Tudors to the Present. London: Scala Publishers, 2012.
The Development of the Art Market in England: Money as Muse, 1730-1900 / Ed. T. M Bayer, J. R. Page. London: Pickering and Chatto, 2011.
The Life and Letters of Gavin Hamilton / Ed. B. Cassidy. London; Turnhout: Brepols/Harvey Miller, 2011.
Vigee-Le Brun E. The Memoirs of Elisabeth Vigee-Le Brun / Trans. S. Evans. London: Camden Press, 1989.
Walpole H. Anecdotes of Painting in England. London: G. G. and J. Robinson, 1798.
3. Искусство спекуляции: Уильям Бьюкенен
Auctions, Agents and Dealers: The Mechanisms of the Art Market, 1660-1830 / Ed. J. Turpin, A. Warren. Oxford: Archeopress, 2007.
Buchanan W. Memoirs of Painting. London: R. Ackerman, 1824.
Farington J. The Farington Diary. 8 vols. London: Hutchinson & Co., 1922-1928.
Reitlinger G. The Economics of Taste: The Rise and Fall of Picture Prices, 1760-1960. London: Barrie and Rockliff, 1961. Sebag-Montefiore C. A Dynasty of Dealers: John Smith and successors, 1801-1924, a study of the art market in nineteenth-century London. Arundel: The Roxburghe Club, 2013.
Watson P. From Manet to Manhattan: the Rise of the Modern Art Market. London: Random House Publishing Group, 1992. William Buchanan and the Nineteenth-Century Art Trade: 100 Letters to his Agents in London and Italy / Ed. H Brigstocke. London: Paul Mellon Centre for Studies in British Art, 1982.
4. Эрнест Гамбар и рост популярности викторианского искусства
A Victorian Canvas: The Memoirs of W. P. Frith, RA / Ed. N. Wallis. London: Geoffrey Bles, 1957.
Flaubert G. L’Éducation Sentimentale. Paris: Michel Lévy, 1869.
Hamilton J. A Strange Business: Making Art and Money in Nineteenth-Century Britain. London: Atlantic, 2014.
Maas J. Gambart: Prince of the Victorian Art World. London: Barrie & Jenkins, 1975.
The Development of the Art Market in England: Money as Muse, 1730-1900 / Ed. T. M. Bayer, J. R. Page. London: Pickering and Chatto, 2011.
The Rise of the Modern Art Market in London, 1850-1939 / Ed. P. Fletcher, A. Helmreich. Manchester: Manchester Press, 2011.
5. Джозеф Дювин: коммерсант в амплуа художника
Behrman S. N. Duveen. London: Hamish Hamilton, 1952.
ClarkK. Another Part of the Wood: A Self-Portrait. London: Ballantine Publishing Group, 1974.
Cohen R. Bernard Berenson: A Life in the Picture Trade. New Haven: Yale University Press, 2013.
Fitz Roy C. The Rape of Europa: The Intriguing History of Titian’s Masterpiece. London, Bloomsbury Continuum, 2015. Fowles E. Memories of Duveen Brothers. London: Times Books, 1976.
Gimpel R. Diary of an Art Dealer / Trans. J. Rosenberg. London: Hodder & Stoughton, 1966.
Mary Berenson: A Self-Portrait from her Letters and Diaries / Ed. B. Strachey, J. Samuels. London: W. W. Norton and Co., 1985.
My Dear BB: The Letters of Bernard Berenson and Kenneth Clark, 1925-1959 / Ed. R. Cumming. New Haven: Yale Press, 2015.
Reitlinger G. The Economics of Taste: The Rise and Fall of Picture Prices, 1760-1960. London: Barrie and Rockliff, 1961. Secrest M. Duveen: A Life in Art. New York, Knopf, 2004.
Seligman G. Merchants of Art: Eighty Years of Professional Collecting. New York: Appleton-Century-Crofts, 1961.
Simpson C. Artful Partners: Bernard Berenson and Joseph Duveen. New York: Macmillan, 1986.
6. Династия Вильденстейн
Berggruen H. Highways and Byways. Yelverton Manor: Pilkington Press, 1998.
Goldstein M. Landscape with Figures: A History of Art Dealing in the United States. Oxford: Oxford University Press, 2000. Nicholas L. H. The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War. New York: Knopf, 1994.
Wildenstein D., Stavrides Y. Marchands d’Art. Paris: Plon, 1999.
7. Продавец невиданного и неслыханного: Поль Дюран-Рюэль
Assouline P. Discovering Impressionism: The Life of Paul Durand-Ruel. New York: The Vendome Press, 2004.
Distel A. Impressionism: The First Collectors. New York: Harry N. Abrams, 1990.
Goncourt E., Goncourt J. Pages from the Goncourt Journal. London: Penguin, 1984.
Hook P. The Ultimate Trophy: How the Impressionist Painting Conquered the World. London: Prestel Publishing, 2009. Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market / Ed. S. Patry. London: National Gallery Company, 2015.
MaupassantG. de. Bel-Ami. Paris: Victor-Havard, 1885.
Pissarro C. Letters to his Son Lucien. New York: Pantheon Books, 1943.
Paul Durand-Ruel: Memoirs of the First Impressionist Art Dealer / Ed. P.-L. Durand-Ruel, F. Durand-Ruel. Paris: Flammarion, 2014.
Renoir J. Renoir, My Father. London: Collins, 1962.
White H. C., White C. A. Canvases and Careers: Institutional Change in the French Painting World. New York: John Wiley & Sons, 1965.
8. Обогащение Амбруаза Воллара
Cassatt and her Circle: Selected Letters / Ed. N. M Matthews. New York: Abbeville Press, 1984.
Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde / R. A. Rabinow. New Haven: Press, 2006.
Feilchenfeldt W. By Appointment Only: Cézanne, van Gogh and Some Secrets of Art Dealing. London: Thames & Hudson, 2006.
Jensen R. Marketing Modernism in Fin-de-Siècle Europe. Princeton: Princeton University Press, 1994.
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