Читать книгу "Феминизмы. Всемирная история - Люси Делап"

Women’s Movement: Workplace Justice and Social Rights in Modern America (Princeton University Press, 2004).

301

Karen Offen, European Feminisms, 1700–1950: A Political History (Stanford University Press, 1999), 241.

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Elinor Accampo, Private Life, Public Image: Motherhood and Militancy in the Self-Construction of Nelly Roussel, 1900–1922 (University of California Press, 2000), 240–241.

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Miss Ruby Tuesday, East Village Other (18 August 1970), 7.

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Anne M. Valk, Radical Sisters: Second-Wave Feminism and Black Liberation in Washington, D. C. (University of Illinois Press, 2008).

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Chicago Women’s Liberation Union News (1 September 1970), 2.

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Seung-kyung Kim and Na-Young Lee, «Shared History and the Responsibility for Justice: The Korean Council for the Women Drafted for Military Sexual Slavery by Japan», в Barbara Molony and Jennifer Nelson (eds.), Women’s Activism and «Second Wave» Feminism (Bloomsbury Academic, 2017).

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Okpyo Moon, «Japanese Tourists in Korea», in Sylvie Guichard-Anguis and Okpyo Moon (eds.), Japanese Tourism and Travel Culture (Routledge, 2011).

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Jeska Rees, «A Look Back at Anger: The Women’s Liberation Movement in 1978», Women’s History Review 19:3 (2010), 337–356.

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Maria Mayerchyk and Olga Plakhotnik, «The Radical FEMEN and the New Women’s Activism», Krytyka Magazine 11:12 (2015), 157–158.

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Gayatri Chakravorty Spivak, «Can the Subaltern Speak?», in Donna Landry and Gerald M. MacLean (eds.), The Spivak Reader (Routledge, 1996).

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Teresa Zackodnik, Press, Platform, Pulpit: Black Feminist Publics in the Era of Reform (University of Tennessee Press, 2011).

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Перечень феминистских песен, в том числе упоминаемых в этой главе, можно найти по адресу: https://open.spotify.com/playlist/5uCxpVJfbGpDmIVVdkYhOf. Предлагаю читателям, желающим дополнить перечень, обратиться ко мне в «Твиттере» (пользователь @suff 66).

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Ellen Key, Love and Marriage, trans. Arthur G. Chater (G. P. Putnam, 1911), 246.

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Negar Mottahedeh, Whisper Tapes: Kate Millett in Iran (Stanford Briefs, 2019).

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Elinor Accampo, Private Life, Public Image: Motherhood and Militancy in the Self-Construction of Nelly Roussel, 1900–1922 (University of California Press, 2000), 218.

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Anna J. Cooper, A Voice from the South (Oxford University Press, 1988).

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Ethel Smyth, The Memoirs of Ethel Smyth (Viking, 1987), 297.

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Julie C. Dunbar, Women, Music, Culture: An Introduction (Routledge, 2011), 134.

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Smyth, Memoirs, 342.

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Amanda Smith, An Autobiography: The Story of the Lord’s Dealings with Mrs. Amanda Smith, the Colored Evangelist (Garland, 1987), 260, 265.

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Ibid., 414–415, 324. Также см.: Patricia Ann Schechter, Exploring the Decolonial Imaginary: Four Transnational Lives (Palgrave Macmillan, 2012), 11.

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Jacqueline Warwick, «„He Hit Me, and I Was Glad“: Violence, Masochism, and Anger in Girl Group Music», in Laurie Stras (eds.), She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music (Routledge, 2010).

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Jill Nickel and Sheri Maeda, «Put Another Nickel In», Quest (Fall 1976).

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Eileen M. Hayes, Songs in Black and Lavender: Race, Sexual Politics, and Women’s Music (University of Illinois Press, 2010), 70.

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Donna Pieters, BWM16 — Heart of the Race Oral History Project, Black Cultural Archives, Brixton. Благодарю за этот транскрипт Д.-М. Уитерс.

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Womansound 2 (1984), cited in Women’s liberation music archives (https://womensliberationmusicarchive.co.uk/s/). О музыке движения за освобождение женщин см.: D-M Withers, Feminism, Digital Culture and the Politics of Transmission: Theory, Practice and Cultural Heritage (Rowman & Littlefield International, 2015), 95–112.

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Jane Armstrong, «Radio», in Alison Bartlett and Margaret Henderson (eds.), Things That Liberate: An Australian Feminist Wunderkammer (Cambridge Scholars, 2013), 153.

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Robin Morgan, Going Too Far: The Personal Chronicle of a Feminist (Vintage Books, 1978).

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Janice G. Raymond, The Transsexual Empire (Women’s Press, 1980), 104; Will Self and Stephen Whittle, Perfidious Man (London: Viking, 2000); D-M Withers, «Laboratories of Gender: Women’s Liberation and the Transfeminist Present», Radical Philosophy 2:4 (2019).

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Sandy Stone, «The Empire Strikes Back: a Posttranssexual Manifesto», in Julia Epstein and Kristina Straub (eds.), Bodyguards: The Cultural Politics of Gender Ambiguity (Routledge, 1991).

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Chris Mulvey, в Barbara Harford and Sarah Hopkins (eds.), Greenham Common: Women at the Wire (Women’s Press, 1984), 92.

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Anna Reading, «Singing for My Life», в Anna Reading and Tamar Katriel (eds.), Cultural Memories of Nonviolent Struggles: Powerful Times (Palgrave Macmillan, 2015).

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Katrina, in Harford and Hopkins, Greenham Common, 167.

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Jayne, in ibid., 15.

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Margaret L. Laware, «Circling the Missiles and Staining Them Red: Feminist Rhetorical Invention and Strategies of Resistance at the Women’s Peace Camp at Greenham Common», NWSA Journal 16:3 (2004), 33. Также см.: Margaretta Jolly, Sisterhood and After: An Oral History of the UK Women’s Liberation Movement, 1968 — Present (Oxford University Press, 2019).

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Sarah Green, in Harford and Hopkins, Greenham Common, 54.

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Двадцатидвухлетняя Хелен Томас погибла в 1989 году во время осады Гринхэма: ее сбил полицейский прицеп для перевозки лошадей. Ее участие в протестах увековечено в песне «Cân i Helen» на валлийском языке.

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Natalya Lusty,