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Longworth, Karina. «Woody Allen on His New Film, To Rome with Love, and Some Very Old Themes.» Los Angeles Weekly, June 21, 2012.

Lucia, Cynthia. «Contemplating Status and Morality in Cassandra’s Dream: An Interview with Woody Allen.» Cineaste, Winter 2007/Spring 2008.

MacNab, Geoffrey. «Why Cassandra’s Dream Is Turning Out to Be Woody Allen’s Nightmare.» Independent, December 1, 2014.

Maslin, Janet. «How the Graphic Art Feats in Zelig Were Done.» New York Times, August 1, 1983.

McGrath, Douglas. «If You Knew Woody Like I Knew Woody.» New York Magazine, October 17, 1994.

Miller, Prairie. «Sweet and Lowdown: Woody Allen Interview.» http://www.woodyallen.art.pl/eng/wywiad_eng_11.php

БЛАГОДАРНОСТИ

Mitchell, Sean. «Funny Isn’t Good Enough: Woody Allen’s Got Another Movie Coming Out, But There Are a Few Other Things on His Mind.» Los Angeles Times, March 15, 1992.

Mottram, James. «‘I Really Don’t Care’: After That Twitter Scandal, Actor Alec Baldwin Discusses Fatherhood, Working with Woody Allen and Being in the Public Eye.» Independent, July 22, 2013.

Murray, Rebecca. Vicky Cristina Barcelona press conference: «Filmmaker Woody Allen Discusses Vicky Cristina Barcelona.» movies.about.com, 2008.

Nesteroff, Kliph. «The Early Woody Allen 1952–1971.» blog.wfmu.org, February 14, 2010.

Pond, Steve. «How Cate Blanchett Got Ready to Play a Boozer in Woody Allen’s Blue Jasmine.» The Wrap, July 26, 2013.

Prunner, Vifill. «Mariel Hemingway — Manhattan: The Birth of a Legend.» thenewcinemamagazine.com, April 21, 2010.

Radish, Christina. «Woody Allen Talks To Rome with Love, the Importance of Music in His Films, How He Feels about Improvisation, and His Outlook on Retirement.» collider.com, June 20, 2012.

Rhys, Tim. «Made in Manhattan.» MovieMaker, Spring 2004.

Romney, Jonathan. «Scuzzballs Like Us.» Sight & Sound, April 1998.

Ross, Scott. «The Night Woody Allen and Billy Graham Argued the Meaning of Life.» nbcarea.com, May 30, 2012.

Rottenberg, Josh. «Woody Allen on His Prolific Career.» Entertainment Weekly, December 16, 2005.

Shoard, Catherine. «Woody Allen on Blue Jasmine: ‘You See Tantrums in Adults All the Time.’» Guardian, September 26, 2013.

Smithey, Cole. «Woody Allen Discusses Melinda and Melinda.» filmcritic1963.typepad.com, May 7, 2005.

Szklarski, Stephen J. «Carlo Di Palma: An Interview.» Independent Film Quarterly, Fall 2001.

Taylor, Juliet. Interview. Observer, May 21, 2000.

Verdiani, Gilles. «Woody Allen, C’est Moi.» http://dailytelegiraffe.tripod.com/celebrityinterviewfrenchpremiere.htmlWolfe, Tom. «The ‘Me’ Decade and the Third Great Awakening.» New York Magazine, August 23, 1976.

Zuber, Helene. «Spiegel Interview with Woody Allen: ‘Nothing Pleases Me More than Being Thought of as a European Filmmaker.’» Der Spiegel, June 20, 2005.

«Capone Interviews Woody Allen about Cassandra’s Dream.» aintitcool.com, January 20, 2008.

«Comedians: His Own Boswell.» Time, February 15, 1963.

«Scoop: Q & A with Woody Allen.» http://cinema.com/articles/4167/scoop-q-and-a-with-woody-allen.phtml

ВЕБ-САЙТЫ

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ДОКУМЕНТАЛЬНЫЕ ФИЛЬМЫ

Барбара Копл «Блюз дикого человека», 1997

Роберт Б. Уайде «Вуди Аллен», 2012

АВТОРЫ ФОТОГРАФИЙ

Для розыска и признания владельцев авторских прав были приложеы все возможные усилия. Мы заранее извиняемся за любые непреднамеренные упущения и будем рады, если возникнет случай, чтобы добавить соответствующее упоминание в любое будущее издании книги.

T: верх; B: низ; L: лево; R: право; C: центр

Использованные изображения: 2–3 (Nicholas Moore/Contour by Getty); 7, 288 (Arthur Schatz/The LIFE Premium Collection); 19 (Grey Villet/The LIFE Picture Collection); 26 (John Minihan/Evening Standard); 28 (Philippe Le Tellier); 30 (United Artists/AFP); 31 (American International Pictures); 33 (Columbia Pictures/Terry O’Neill); 69, 71, 73–74 (United Artists/Ernst Haas); 77, 78, 80–81, 94–95, 97–103, 108 B, 109 (United Artists/Brian Hamill); 87, 92–93, 230–231 (Brian Hamill); 117 (Hulton Archive); 123, 141, 158–159, 170 (Orion/Brian Hamill); 178, 182 (TriStar/Brian Hamill); 179 (Rose Hartman); 188, 191, 194–195 (Miramax/Brian Hamill); 211 (Hubert Fanthomme/Paris Match); 228–229 (Fox Searchlight/Brian Hamill); 257 (Miguel Medina/AFP); 258 (Bertrand Langlois/AFP); 285 (Jennifer S. Altman/Contour by Getty); The Kobal Collection: 12 TL, 12 TC, 46, 49, 57, 58 B, 59–61, 63, 65–67, 83, 91, 106–107(Rollins-Joffe/United Artists); 12 BL, 13 TR, 124–125, 127, 130–131, 144 T, 149 B, 150–151, 160, 162, 168 (Orion/Rollins-Joffe/Brian Hamill); 12–13 B, 180–181 (TriStar/Rollins-Joffe); 13 BR (Gravier Prods./Perdido Prods.); 39–40 (ABC/Rollins-Joffe/Cinerama); 118–119 (Orion/Warner Bros./Kerry Hayes); 152 (Orion); 164 (Orion/Brian Hamill); 176 (TriStar/Brian Hamill); 183 B (TriStar/Rollins-Joffe/Brian Hamill); 197 (Magnolia/Sweetland/Doumanian Prods./Brian Hamill); 198, 212 (Magnolia/Sweetland/Doumanian Prods.); 206 (Sweetland/Doumanian Prods./John Clifford); 226 (DreamWorks/Gravier Prods./Brian Hamill); 233–234, 236–237 (Jada Prods./BBC Films/DreamWorks/Clive Coote); 238 (BBC Films/Focus Features); 241 (Perdido Prods./Wild Bunch); 242–244, 246 (Weinstein Co./Mediapro/Gravier Prods.); 250, 254–255, 256 T, 258–259 (Gravier Prods.); 264–269 (Gravier Prods./Perdido Prods.); 271 (Dippermouth/Gravier Prods./Perdido Prods.); 275 B (Zuzu/Antidote Films); The Ronald Grant Archive: 12 BR (TriStar); 166–167 (Orion); 217 (Sony Pictures); Rex: 12–13 T, 138–139, 147 (Orion/Everett Collection); 13 BL (Miramax/Everett Collection); 34–35 (ABC/Cinerama/Everett Collection); 53 B (Paramount/Everett Collection); 58 T, 70 (United Artists/Everett Collection); 75 (United Artists/Sipa Press); 136, 154, 165 (Orion/Moviestore Collection); 161 (Orion/Snap Stills); 176–177 (TriStar/Snap Stills); 196 (Magnolia/Sweetland/Sipa Press); 208 (Alex Oliveira); 214, 215 T, 253 T, 270 (Sony Pictures/Everett Collection); 218, 220 B, 221 (DreamWorks/Everett Collection); 238–239 (Focus Features/Everett Collection); 240, 245 B (Weinstein/Everett Collection); 253 B (Sony Pictures/Snap Stills); Photofest: 13 TL, 114–115, 118, 121, 126, 128–129, 132–135, 139–140, 142–143, 144 B, 145, 149 T, 150, 153, 155–156, 163, 169, 171–173 (Orion); 18 L, 20, 25 (© NBC); 38 (Cinerama Releasing Corporation); 48, 68, 72, 79, 82, 84, 88–90, 96 (United Artists); 52 (Paramount); 174–175, 190, 192–193, 199, 202, 203 B (Miramax); 207 (Fine Line Features); 213, 216 T, 256 B (Sony Pictures Classics); 220 T, 223 B, 235 (DreamWorks); 245 T (The Weinstein Company); 275 T (Buena Vista); GlobePhotos: 14; 64 (United Artists); akg-images: 17; 105 (Manuel Bidermanas); 108 T (United Artists/Album); Corbis: 11, 187 (Michael O’Neill/Corbis Outline); 18 R (Bettmann); 32 (Columbia/Sunset Boulevard); 36 (Morton Beebe); 37 (ABC/Cinerama/Sunset Boulevard); 56 (United Artists/Steve Schapiro); 110–111 (United Artists/Sunset Boulevard); 120 T (Orion/Warner Bros./Sunset Boulevard); 120 B (Orion/Warner Bros./Bettmann); 208–209 (Miramax/Sunset Boulevard); 224–225 (Arnault Joubin/Corbis Outline); 272 (AKM-GSI/Splash News); 274 (Columbia/Steve Schapiro); 279 (Andrew Schwartz/Corbis Outline); WA archive: 17, 21; © Rowland Scherman: 22–23; Image Courtesy of the Advertising Archives: 24; mptvimages.com: 29, 62 (United Artists); 51 (Paramount); 183 T (TriStar); Photoshot: 41 (Cinerama); 47 (United Artists); 113 (Orion); 185 (TriStar); 55 (Paramount); 205 T (DreamWorks); 210 (Miramax); 215 B, 273 (Sony Pictures); 223 T (DreamWorks); Magnum Photos: 43 (Philippe Halsman); TopFoto: 44; © Dennis Brack: 50; Alamy: 53 T (Paramount/AF archive); 148 (Orion/AF Archive); 184 (TriStar/Pictorial Press Ltd); 216 B (Sony Pictures/Pictorial Press Ltd.); 219 (DreamWorks); 260 (Gravier Prods./Medusa Film/AF Archive); © AP/PA Images: 85; 261 B (Pier Paolo Cito); 276–277 (Carlo Allegri); Camera Press London: 146 (Orion/DDP); 204 (Miramax/DDP); 205 B (DreamWorks/DDP); 232 (Jane Hodson); 248–249 (Starlitepics); Mary Evans Picture Library: 157 (Orion/Rue des Archives); eyevine: 200–201, 203 T (Graziano Arici); ACE Pictures: 227, 251; © Walter McBride Photography: 247; Photo by Philippe Antonello: 261 T, 262–263 (Medusa Film).