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Moreno J.L. (1953). Who shall survive? Foundations of sociometry, group psychotherapy, and psychodrama (2nd ed.). Beacon, New York: Beacon House.
Moreno J.L. (1964). Psychodrama, 1, 277–314. Beacon, New York: Beacon House.
Morley J. (1981). Music and neurology. Clinical and Experimental Neurology, 17, 18.
Mulindi-King L.C. (1990). Lecture presentation, Nairobi.
Nordoff P. & Robbins C. (1977). Creative music therapy. New York: The John Day Co.
Priestley M. (1985). Music therapy in action (2nd ed., p. 32, 99). Saint Louis, MO: MMB Music.
Rider M. (1987). Treating chronic disease and pain with music-mediated imagery. The Arts in Psychotherapy, 14, 113–120.
Rouget E. (1985). Music and trance: A theory of the relations between music and possession (p. 55). Chicago: University of Chicago Press.
Salas J. (1996). Improvising real life: Personal story in playback theatre (2nd ed.). Dubuque, IA: Kendall, Hunt Publishing Company.
Schultes R.E. & Raffouf R.F. (1992). Vine of the soul: Medicine men, theirplants and rituals in the Colombian Amazonia. Santa Fe, NM: Synergetic Press.
Sharp L.A. (1993). The possessed and dispossessed: Spirits, identity and power in a Madagascar migrant town (pp. 122–123) Berkeley and Los Angeles: University of California Press.
Summer L. (1988). Guided imagery and music in the institutional setting (pp. 11–16). Saint Louis, MO: MMB Music.
Trupp F. (1981). The last Indians: South American’s cultural heritage. Worgl, Austria: Perlinger Verlag.
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