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Geoffrey Dorfman: OUT OF THE PICTURE, MILTON RESNICK AND THE NEW YORK SCHOOL, by Geoffrey Dorfman. Midmarch Arts Press, 2003. Permission granted by copyright holder Geoffrey Dorfman.

Natalie Edgar: CLUB WITHOUT WALLS, SELECTIONS FROM THE JOURNALS OF PHILIP PAVIA, Natalie Edgar, ed. Midmarch Arts Press, 2007. Permission granted by copyright holder Natalie Edgar.

Farrar, Straus and Giroux: Excerpts from “Joseph Cornell,” “Edwin’s Head,” “In Memory of My Feelings,” “Poem Read at Joan Mitchell’s,” “Poem,” and “The Day the Lady Died” from DIGRESSIONS ON SOME POEMS BY FRANK O’HARA: A MEMOIR by Joe LeSueur. Copyright © 2003 by The Estate of Joe LeSueur. Reprinted by permission of Farrar, Straus and Giroux.

David Frankfurter: Quotations from ORIGINALS: AMERICAN WOMEN ARTISTS, by Eleanor Munro, A Touchstone Book, Simon & Schuster, Inc., 1982. Permission granted by copyright holder, David Frankfurter.

Grove: Excerpts from MEDITATIONS IN AN EMERGENCY, copyright © 1957 by Frank O’Hara. Used by permission of Grove/Atlantic, Inc., and Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara. Any third party use of this material, outside of this publication, is prohibited.

Julia Gruen: Quotations from THE PARTY’S OVER NOW, REMINISCENCES OF THE FIFTIES — NEW YORK’S ARTISTS, WRITERS, MUSICIANS, AND THEIR FRIENDS, by John Gruen. Copyright © John Gruen, 1972. The Viking Press, 1972. Permission granted by Julia Gruen.

HarperCollins: Twenty-four quotations [pp. 13–442, 811 words] from CITY POET: THE LIFE AND TIMES OF FRANK O’HARA, by Brad Gooch, © 1993, by Brad Gooch. Reprinted by permission of HarperCollinsPublishers.

Excerpts from pp. 26–31, 38–9, 99, 117, 128, 169–71, 174, 178, 193–4, from ELAINE AND BILL:

PORTRAIT OF A MARRIAGE, by Lee Hall. © 1993 by Lee Hall. Reprinted by permission of HarperCollins Publishers.

Twenty brief quotes as submitted [pp. 55–366] from LEE KRASNER: A BIOGRAPHY, by Gail Levin. © 2011 by Gail Levin. Reprinted by permission of HarperCollins Publishers.

Penguin Random House: “Poem Read at Joan Mitchell’s,” “Olive Garden,” and “L’amour avait passé par là” from THE COLLECTED POEMS OF FRANK O’HARA, edited by Donald Allen, Copyright and Permissions Acknowledgments copyright © 1971 by Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara, copyright renewed 1999 by Maureen O’Hara Granville-Smith and Donald Allen. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.

Excerpt(s) from DE KOONING: AN AMERICAN MASTER by Mark Stevens and Annalyn Swan, copyright © 2004 by Mark Stevens and Annalyn Swan. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.

Excerpt(s) from JOAN MITCHELL: LADY PAINTER by Patricia Albers, copyright © 2011 by Patricia Albers. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.

Excerpt(s) from TRACKING THE MARVELOUS by John Bernard Myers, copyright © 1981, 1983 by John Bernard Myers. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved.

MB Art Publishing: MERCEDES MATTER, by Ellen G. Landau, Sandra Kraskin, Phyllis Braff, and Michael Zakian, MB Art Publishing, 2009, New York. Permission to quote from material in the book granted by Mark Borghi, Mark Borghi Fine Art.

Steven Naifeh: Quotations from JACKSON POLLOCK, AN AMERICAN SAGA, by Steven Naifeh and Gregory White Smith, Clarkson N. Potter, Inc. Publishers, 1989. © Steven Naifeh and Gregory White Smith, permission granted by Naifeh and Smith.

Cindy Nemser: Quotations from ART TALK, CONVERSATIONS WITH 12 WOMEN ARTISTS, by Cindy Nemser. Charles Scribner’s Sons, 1975. Permission granted by copyright holder Cindy Nemser.

Oxford University Press: RESTLESS AMBITION: GRACE HARTIGAN, PAINTER, by Cathy Curtis (2015) 489w from pp. 14, 18, 40, 43, 48–49, 52, 56, 65, 67, 73–74, 134, 156, 160, 174–175, 338. By permission of Oxford University Press, USA.

Pollock-Krasner House and Study Center: TO A VIOLENT GRAVE, AN ORAL BIOGRAPHY OF JACKSON POLLOCK, by Jeffrey Potter. Pushcart Press, 1987. Permission to quote from material in the book granted by copyright holder, the Pollock-Krasner House and Study Center.

Simon & Schuster: CLEMENT GREENBERG: A LIFE by Florence Rubenfeld. Copyright © 1998 by Florence Rubenfeld. Reprinted with the permission of Scribner, a division of Simon & Schuster, Inc. All rights reserved.

Syracuse University Press: Syracuse University Press granted permission to reprint 1436 words from THE JOURNALS OF GRACE HARTIGAN, 1951–1955, edited by William T. La Moy and Joseph P. McCaffrey. © 2009 by Syracuse University Press.

VAGA: Text excerpts from WHAT DID I DO? THE UNAUTHORIZED AUTOBIOGRAPHY by Larry Rivers with Arnold Weinstein. (HarperCollins 1992). Approximately 1,045 words (spread throughout the publication). Text © Estate of Larry Rivers/Licensed by VAGA, New York, NY.

Правопреемники

Estate of Janice Biala, for permission to quote from unpublished letters by Janice Biala. All quotes © Estate of Janice Biala.

Estate of Edith Schloss Burckhardt and Rudy Burckhardt, Jacob Burckhardt executor, for permission to quote from Edith Schloss’s manuscript “The Loft Generation,” and reproduce photographs by Rudy Burckhardt. All quotes and photographs © Estate of Edith Schloss Burckhardt and Rudy Burckhardt.

Estate of Michael Goldberg, Lynn Umlauf, director, for permission to quote from letters in the Michael Goldberg Papers at the Archives of American Art, and use of a photograph of Mike Goldberg. All quotes © Estate of Michael Goldberg.

Estate of John Gruen and Jane Wilson, Julia Gruen, executor, for permission to quote from the John Gruen and Jane Wilson Papers at the Archives of American Art, Smithsonian Institution, as well as to reproduce a John Gruen photograph. All quotes and photographs © Estate of John Gruen and Jane Wilson.

Estate of Grace Hartigan, Rex Stevens, executor, for use of spoken, written, and visual material by Grace Hartigan, including reproductions of the following paintings: Grand Street Brides, Interior Copyright and Permissions Acknowledgments ‘The Creeks,’ Ireland, Six by Six, The Masker, The Persian Jacket, and Venus and Adonis after Peter Paul Rubens. All quotes and images © Estate of Grace Hartigan.

Harry A. Jackson Trust, Matthew Jackson director, for permission to quote from unpublished written material by Harry Jackson from the Trust’s archives. All quotes © Harry A. Jackson Trust.

Estate of Paul Jenkins, Suzanne D. Jenkins executor, for permission to quote from letters and interviews by and to Paul Jenkins. All letters and interviews © Estate of Paul Jenkins.